Blowing air through the instrument without deliberately sounding a
pitch. Notated with a verbal instruction. Pitched air notes are very quiet. Unpitched notes may be made louder by allowing air to escape around the mouthpiece. 'Half and half' (i.e. half an embouchure) is quite efffective in the low register of the bass clarinet.
Air notes (clarinet):
Air notes (bass clarinet):
Rattling instrument keys. Notated with x-shaped notehads and a verbal
instruction. Relatively quiet on clarinet, but quite effective in the
low register of the bass.
Key clicks (clarinet):
Key clicks (bass clarinet):
Playing chords. In non-specific situations, notate by writing
a bottom note with the word 'chord' above. Although
specialist manuals often give highly detailed fingerings for
chord production, the variability of production makes this
generally a non-specific effect. However, instruments
and players vary in the multiphonics they can find. For more
specific notations, consult specialist manuals.
It is possible for voice and instrument to sing and play either the same or different notes, and for both to move independently of one another. Watch out for the vocal range!
Write the sung notes in small noteheads, plus a verbal instruction. Sung multiphonics (clarinet):
Intervals smaller than a semitone. Notations vary, but the examples above show a microtonal inflection and a quartertone. Produced by using 'fake' fingerings and/or adjusting the embouchure. Microtones on the clarinet are practicable, but obviously need a great deal of care and attention to detail. Consultation with the player is probably the best way forwards.
Microtones on the bass clarinet are much more problematic, because of the covered holes.
There is no need to specify fingerings normally, so the use of alternative fingerings is generally left to the player. There should be a very good reason for specifying alternative fingerings!
Best as a bass clarinet effect, comrpsing a violent release of the tongue, creating a 'slap' as the vacuum is opened. Notate with a verbal instruction.
The Orchestra: A User's Manual is a free resource and will remain so. It still receives between 8,000 and 16,000 unique visits per month from all over the world. See the testimonials. Thanks to all the donations, I have been able to create this responsive re-design. But the movies and sound clips recorded in 2004 do show their age. I would really like to re-record everything and add many more techniques, especially for solo and ensemble writing. I estimate this will cost around £30,000. If you know a source of such funds, please contact me: a.hugill [at] bathspa.ac.uk