Harp: Glissandos
About the various types of glissando:
Glissandos can be executed using single notes, chords, and with one or both hands (travelling in the same or opposite directions). They are notated with a straight line between the notes and the word gliss written above. There are various finger positions, as outlined below, which give a variety of timbres. Pedal glissandos are also possible. Enharmonic tunings enable a limited range of harmonies.
Here are some typical dominant 7ths:
|
CHORD
|
STRINGS
TUNED TO:
|
LISTEN |
|
Db7
|
Db
Cb B E# F G# Ab
|
|
|
E7
|
D
Cb B E Fb G# Ab
|
|
|
Gb7
|
Db
C# Bb E Fb Gb A#
|
Dominant 9ths are also possible. Here are a couple of examples:
|
F9
|
D#
C B# Eb F G A
|
|
|
A9
|
Db
C# B E Fb G A
|
The dominant ninths and sevenths that are possible are as follows:
Gb7, Ab7, B7, Db7, E7, C9, D9, Eb9, F9, G9, A9, Bb9
Pedal Glissandos
Pedal glissando is executed by moving the pedal up or down a semitone while the note is sounding. It is an inaudible effect above C6, but works well in the low register:
|
E1
|
|
|
C2
|
|
|
A2
|
|
|
F3
|
|
|
D4
|
|
|
B4
|
|
|
G5
|
|
|
Eb6
|
