|
NAME
|
DESCRIPTION
|
NOTATION
|
LISTEN/VIEW
|
COMMENTS
|
|
alternative
fingerings
|
different
ways of fingering notes
|
verbal
instruction and fingering diagram
|
alternative fingerings |
There
is no need to specify fingerings normally, so the use of alternative
fingerings is generally left to the player. There should be a very
good reason for specifying alternative fingerings! |
|
microtones
|
intervals
smaller than a semitone
|
notations
vary, but the following examples seem typical of quartertones:

and the following typical of raised and lowered inflections:

|
microtones (clarinet)
microtones
(bass clarinet)
|
Microtones
on the clarinet are practicable, but obviously need a great deal
of care and attention to detail. Consultation with the player is
probably the best way forwards.
Microtones
on the bass clarinet are much more problematic, because of the covered
holes.
|
|
multiphonics
(played)
|
playing
chords
|
write
the bottom note of the chord and the word 'chord' above
|
multiphonics
chords
|
Although
specialist manuals often give highly detailed fingerings for chord
production, the variability of production makes this generally a non-specific
effect |
|
multiphonics
(sung)
|
singing
into the instrument
|
write
the sung notes in small noteheads, plus verbal instruction
|
singing into instrument |
It
is possible for voice and instrument to sing and play either the same
or different notes, and for both to move independently of one another.
Watch out for the vocal range! |
|
air
note
|
blowing
into the instrument
|
may
be ptiched (write verbal instruction above the note) or unpitched
|
air notes (clarinet)
air notes (bass clarinet)
|
Pitched
air notes are very quiet. Unpitched notes may be made louder by
allowing air to escape around the mouthpiece.
'Half
and half' (i.e. half an embouchure) is quite efffective in the low
register of the bass clarinet.
|
|
without
mouthpiece
|
removing
the mouthpiece and blowing into barrel
|
verbal
instruction (may be pitched)
|
without mouthpiece |
Perfectly
possible, but not particularly effective. |
|
slap
tongue
|
violent
release of the tongue, creating a 'slap' as the vacuum is opened
|
verbal
instruction
|
slap tongue |
A
bass clarinet effect. |
|
key
clicks
|
clicking
instrument keys
|
x-shaped
noteheads and verbal instruction
|
clicks on clarinet
clicks on bass clarinet
|
Relatively
quiet on clarinet, but quite effective in the low register of the
bass. |